BLIP., 30 BP, June 2019, installation view. Pictured: Keith Farquhar, 2019, Scream #9, Scream #10 and Scream #11, oil on travel adaptors; Jessica Harrison, Untitled, 2017, found ceramics and glaze; Ashanti Harris, ƧAMOHT ⅃⅃Oᗡ, 2019, sand, resin bond, graphite powder, emulsion; with supporting structures by Oisín Gallagher
Eric Schumacher, Untitled, 2019, newspaper
Bernie Reid, Untitled, 2018, two colour screen print; Jessica Harrison, Untitled, 2017, found ceramics and glaze; Stephen Murray, HBO, 2019, aluminium; Naomi Garriock, Class of 2017 (GSA Curatorial Masters), 2019, paper; with supporting structures by Oisín Gallagher
Jessica Harrison, Untitled, 2017, found ceramics and glaze, and Untitled, porcelain, caledon glaze, gold lustre, 2015; Stephen Murray, Dwayne Little’s Key, cast iron, sand, resin bond, graphite powder, emulsion, 2017, Tinker the Table Taylor’s Sierra, cast iron, 2017, and HBO, 2019, aluminium; Naomi Garriock, Class of 2017 (GSA Curatorial Masters), 2019, oil on fabric paint on cotton and paper, with text by Holly Knox Yeoman, ‘In The Mountain Devise The Canion’, 2017; with supporting structures by Oisín Gallagher
Jennie Temple, Untitled, 2019, fabric (tweed)
Eric Schumacher, Untitled, 2019, cardboard tube, wood, steel grid, stone, sand, paint

Related Writing